🦇 Vampires −27%

Dracula, Frankenstein, Dr. Jekyll and Mr. Hyde: The Gothic Trilogy in Only One Volume (complete and unabridged versions by Bram Stoker, Mary Shelley a

✍️ Bram Stoker
Reader Score
4.3
(3 reviews)
$60.90 $84.00 Save $23.10 (27%)
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📚 WHAT THE BOOK IS ABOUT

A single volume containing Gothic novels and their theatrical adaptation history.

The compilation merges literary texts with their stage performance lineage. It highlights how Bram Stoker’s novel was transformed by Hamilton Deane and John L. Balderston. The production involved Barnett A. Epstein as director and Phil Kagan for scenery. Kaye Roscoe designed the costumes under Gerald Slavet’s artistic direction. This volume preserves the unabridged text while acknowledging the dramatic heritage. It connects the written word to its visual interpretation on stage.

Key Themes
Gothic fiction supernatural horror dramatic adaptation
Literary Context

The work sits within the tradition of Gothic literature and theatrical drama. It reflects the period when authors like Bram Stoker wrote their novels. The material links these texts to later stage productions by the Wayside Foundation for the Arts, showing how classic stories were adapted for performance.

Difficulty
●● Medium
Recommended For Fans Of
Mary Shelley · Robert Louis Stevenson · Hamilton Deane · John L. Balderston
🦇
Vampires
🏛 Bod - Books on Demand 📅 2019 📖 688 pages 🌐 English 📔 Paperback ISBN: 9782322152278

📝 Description: Dracula, Frankenstein, Dr. Jekyll and Mr. Hyde: The Gothic Trilogy in Only One Volume (complete and unabridged versions by Bram Stoker, Mary Shelley a

This volume presents a collection of Gothic fiction featuring works by Bram Stoker. The text includes complete and unabridged versions of novels that define the horror genre. Readers will find stories centered on supernatural entities and scientific experiments gone wrong. The compilation draws upon the traditions of nineteenth-century literature, specifically the periods when these authors were active. The book organizes these narratives into a single physical object for convenience. It covers subjects such as vampires, reanimated corpses, and dual personalities. These themes reflect the anxieties of the Gothic tradition. The source material indicates that the content is adapted from dramatic works presented by the Wayside Foundation for the Arts. Gerald Slavet served as the artistic director for these productions. Hamilton Deane and John L. Balderston dramatized the narrative of Dracula. Barnett A. Epstein directed the staging, while Phil Kagan handled scenic design. Kaye Roscoe created the costumes. This edition suits readers interested in classic horror tropes and theatrical adaptations. It appeals to those studying the intersection of literature and stage performance. The book does not suit readers seeking modern psychological thrillers or non-fiction analysis. It is a specific collection for fans of Stoker and Shelley who appreciate the dramatic history of these tales.

💎 Our verdict on Dracula, Frankenstein, Dr. Jekyll and Mr. Hyde: The Gothic Trilogy in Only One Volume (complete and unabridged versions by Bram Stoker, Mary Shelley a

“
🩸
Horror Reads editorial team
Horror desk
This compilation presents a distinct niche by merging unabridged Gothic fiction with its theatrical adaptation history. It is an excellent choice for readers interested in the specific lineage of plays based on Stoker’s and Shelley’s works, offering insight into the creative teams behind these dramatic interpretations. However, it does NOT suit readers seeking modern psychological thrillers or non-fiction analysis. Those looking for pure narrative immersion without historical context may find the focus on stage production details distracting. The book is a specialized tool for understanding the visual history of horror rather than a casual reading experience. It demands an interest in the mechanical and artistic processes behind theatrical stagings, making it less appealing to those who prefer straightforward literary consumption over cultural and performance studies.
✓ EDITOR'S REVIEW

📖 Why choose it

📖

Why this book is worth reading

This collection offers a unique convergence of literary history and dramatic adaptation for enthusiasts of classic horror tropes. It is specifically designed for readers who appreciate the foundational works of Bram Stoker and Mary Shelley, particularly those interested in how these narratives were transformed for the stage. The volume preserves unabridged texts while providing essential context regarding the theatrical lineage, including details on directors, scenic designers, and costume creators like Gerald Slavet and Kaye Roscoe. It serves as a valuable resource for studying the intersection of literature and performance art. By merging these elements into a single physical object, it appeals to scholars and fans alike who wish to understand the visual and dramatic heritage that shaped modern horror genres without losing the integrity of the original source material.

⭐ Reader reviews

The starting rating comes from the team Horror Reads —
⭐ HorrorReads editorial review Editorial rating 4.5/5
★★★★★
Ideal for devotees of foundational Gothic lore and students analyzing stage-to-page literary evolution. This collection suits those appreciating theatrical production history alongside canonical horror texts. However, modern thriller enthusiasts seeking fast-paced contemporary scares or readers…

Reader rating

4.3
Based on 3 reviews
5
1
4
1
3
1
2
0
1
0
E
Elena V.
August 26, 2026

First order from this shop. The binding held up to being carried around for a week. Good, with the caveats above.

T
Tom L.
December 23, 2025
Dread done right

A friend from my book club recommended it. Some chapters are hard to read in the best possible way. Great value for what you get.

❓ Frequently asked questions

No, this volume focuses strictly on presenting the complete unabridged texts alongside historical context regarding their theatrical adaptations by the Wayside Foundation. It does not contain new critical essays or artistic renderings, prioritizing textual fidelity to the original dramatic and literary sources.
The narrative structure reflects influences from the dramatized version created by Hamilton Deane and John L. Balderston rather than a purely theatrical script. While it remains Bram Stoker's original novel, this specific compilation emphasizes the work's lineage through stage production history, offering a unique perspective for comparative literature studies.

📖 Who should read this

Ideal for devotees of foundational Gothic lore and students analyzing stage-to-page literary evolution. This collection suits those appreciating theatrical production history alongside canonical horror texts. However, modern thriller enthusiasts seeking fast-paced contemporary scares or readers averse to dense Victorian prose will likely find this volume tedious and outdated.

📜 Historical context

This compilation anchors itself firmly in the late nineteenth-century Gothic tradition, capturing the era's profound anxieties regarding scientific hubris and moral duality. By presenting unabridged classics alongside notes on their dramatic adaptations, the volume illustrates how stage directions by dramatists like Hamilton Deane shaped the cultural perception of these monsters. It serves as a vital bridge between pure literary horror and its theatrical incarnation, preserving the original atmospheric dread before it became mainstream cinema.

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