The Baron's Coffin and Other Disquieting Tales
A collection of five forgotten Victorian ghost stories by Ada Buisson.
This volume restores authorship to Ada Buisson for five short stories previously misattributed to Mary Elizabeth Braddon. The tales appeared in Belgravia magazine before Buisson died young. Montague Summers caused the confusion regarding credit. The collection includes The Baron's Coffin and The Ghost's Summons among others. It represents her entire surviving short fiction output. The stories operate within the Gothic tradition of the late nineteenth century. They offer a glimpse into supernatural fiction from that era. The text is organized to present all known shorter works together. This arrangement allows readers to see her range without searching scattered periodicals. The book serves as a corrective to literary history. It highlights a talent overlooked by major scholars like Summers. Readers interested in the recovery of women’s writing will appreciate this effort. The volume stands as a complete record of her short prose.
Ada Buisson published during the Victorian era, contributing to Belgravia magazine before her early death in 1866. Her work was later miscredited to editor Mary Elizabeth Braddon by scholar Montague Summers. This collection corrects that error, situating her writing within the broader context of nineteenth-century Gothic literature and the specific literary circle of Belgravia.
📝 Description: The Baron's Coffin and Other Disquieting Tales
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Why this book is worth reading
Readers with a passion for recovering lost voices in literary history will find this volume essential. It corrects decades of misattribution by Montague Summers, ensuring Ada Buisson receives proper credit for her five surviving short stories. Those interested in the evolution of women’s writing and Gothic fiction will appreciate the scholarly effort to compile her complete shorter output into one accessible text. The book offers a unique glimpse into the supernatural tastes of Belgravia magazine readers, preserving tales that might otherwise remain scattered across obscure periodicals. It is particularly valuable for collectors of rare Victorian works and scholars examining the intersection of gender and authorship in horror literature. By presenting these narratives together, the collection highlights Buisson’s range and atmospheric skill without requiring readers to hunt through disparate sources.
⭐ Reader reviews
Reader rating
This volume successfully restores Ada Buisson’s authorship, correcting historical records that mistakenly credited Mary Elizabeth Braddon with her work. The five stories operate within the established Gothic tradition, relying on atmospheric dread rather than graphic violence or fast-paced action. While the style may feel slow to casual readers seeking contemporary thrills, it offers a rich experience for those who appreciate subtle supernatural tension and period-specific prose. The collection serves as a vital scholarly recovery of neglected female voices from the late nineteenth century. It stands as a complete record of Buisson’s short fiction, providing insight into her limited but impactful literary output before her early death. This edition is best suited for dedicated fans of Victorian Gothic horror and readers interested in the preservation of historical literary heritage.
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