Dacobra, or The White Priests of Ahriman

Harris Burland’s Dacobra, or The White Priests of Ahriman follows Lionel Maxwell, a sculptor who encounters a text in Paris detailing the legend of immortals offered by Ormuzd to Ahriman. This discovery prompts Maxwell to join an expedition aimed at locating these legendary beings. Upon his return, he intends to construct a statue based on his experiences, though the sinister Dr. Rawlins harbors different ambitions regarding the creation of such artwork. The narrative draws upon Zoroastrian dualism, specifically the conflict between Ormuzd and Ahriman, grounding the supernatural elements in established mythological traditions. Burland structures the story around Maxwell’s journey from intellectual curiosity to physical exploration, culminating in a confrontation over artistic ownership. The work appeals to readers interested in early twentieth-century occult fiction and gothic tales of cursed artifacts. It may not suit those seeking fast-paced action or modern psychological horror, as the focus remains on atmospheric dread and mythological intrigue. Burland qualifies this tale through his engagement with esoteric literature and Persian mythology. The book serves as a bridge between classical religious lore and horror fiction, offering a specific view of immortal entities. Readers who appreciate dense, atmospheric prose and stories involving ancient curses will find value here. Those preferring straightforward plots might find the pacing deliberate.