Zofloya, ou Le maure, histoire du XVe siecle. T4
A fourth volume of Charlotte Dacre's 1812 gothic romance translated into French.
This edition preserves a significant piece of early nineteenth-century gothic literature. The work examines supernatural forces and moral decay through the lens of fifteenth-century history. Dacre’s narrative challenges contemporary moral standards, reflecting the darker impulses of its time. The translation by Mme de Viterne makes the original English text accessible to French readers. This volume continues the story established in previous installments. It maintains the atmospheric tension typical of the genre. The publication supports the preservation of literary heritage. It allows modern audiences to engage with historical perspectives on good and evil. The content remains unaltered to reflect its original context. Readers interested in the development of horror fiction will find this text valuable for its historical significance.
Published originally in 1812, this work reflects early nineteenth-century intellectual currents. The BNF digitized the text to preserve French literary heritage. Hachette Livre prints it on demand for modern readers.
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Scholars of Gothic fiction and historians of early nineteenth-century thought will find this volume invaluable for its historical significance and preservation of literary heritage. It provides a unique window into the development of horror genres, allowing modern audiences to engage with original perspectives on good and evil without endorsing potentially condemnable ideas. While readers seeking light entertainment may find the material unsettling or dated, those interested in the evolution of dark fantasy and psychological terror will appreciate its atmospheric tension and role in defining the subgenre. It serves as a critical resource for understanding the intellectual currents that shaped modern horror literature.
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This volume successfully preserves a vital piece of early nineteenth-century Gothic romance, maintaining the atmospheric tension characteristic of Dacre’s original narrative. By presenting this fourth installment in French translation, it allows contemporary readers to access historical ideas regarding supernatural forces and moral transgression directly. The text does not shy away from the darker impulses of its era, offering an unaltered view that challenges modern sensibilities while illuminating the period's intellectual landscape. It is best suited for academic study and dedicated genre enthusiasts who value historical authenticity over contemporary comfort. The edition stands as a testament to the enduring power of Gothic storytelling.
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