🩸 Horror Fiction

The Book of Doppelgangers

✍️ Robert Sterling
Reader Score
4.5
(1 review)
$18.99
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📚 WHAT THE BOOK IS ABOUT

A collection of eight classic doppelganger stories by Sterling featuring authors like Hoffmann and LeFanu.

This anthology examines the literary tradition of the double through selected works from major European writers. The volume includes narratives where faces in mirrors appear slightly wrong or shadows move independently within a home. Readers encounter characters who share names and appearances with others, creating tension between self and other. The selection spans various periods and styles, united by the theme of duplicated existence. Sterling organizes these pieces to highlight the eerie nature of encountering one’s own likeness acting differently. The focus remains on the psychological unease generated by such encounters rather than action or adventure.

Key Themes
evil twins double images face in mirror
Literary Context

This 2003 publication by Wildside Press gathers works from the 19th century literary period. It reflects the gothic and supernatural fiction traditions established by European authors during that era, preserving their specific stylistic approaches to the uncanny.

Difficulty
●● Medium
Recommended For Fans Of
E.T.A. Hoffmann · J. Sheridan LeFanu · Henry James
🩸
Horror Fiction
🏛 Wildside Press 📅 2003 📖 228 pages 🌐 English 📔 Paperback ISBN: 9781592243716

📝 Description: The Book of Doppelgangers

Robert Sterling compiles eight distinct tales centered on the doppelganger motif in this volume published by Wildside Press. The collection draws upon gothic and supernatural traditions established by authors such as E. T. A. Hoffmann, J. Sheridan LeFanu, and Henry James. It also incorporates works from Algernon Blackwood, Guy de Maupassant, Honore de Balzac, Hans Christian Andersen, and Charlotte Perkins Gilman. The narratives explore the unsettling presence of doubles, whether in mirrors, shadows, or through childhood companions who mimic one’s appearance but excel where the original fails. This anthology suits readers interested in classic horror literature and the psychological implications of identity fragmentation. It may not appeal to those seeking modern thriller plots or contemporary supernatural fiction. The book presents these stories without additional commentary, allowing the original texts to stand on their own merits for enthusiasts of 19th century eerie tales.

💎 Our verdict on The Book of Doppelgangers

“
🩸
Horror Reads editorial team
Horror desk
Sterling’s compilation effectively highlights the eerie nature of encountering one’s own likeness acting differently. By focusing on psychological unease rather than adventure, the volume succeeds in creating a cohesive thematic experience across various periods and styles. The inclusion of works by Hoffmann, LeFanu, and Gilman ensures a rich tapestry of duplicated existence narratives. This anthology is best suited for devotees of classic horror literature who value atmospheric dread and the unsettling implications of identity. It avoids modern plot tropes, offering instead a pure engagement with the subgenre’s foundational psychological fears.
✓ EDITOR'S REVIEW

📖 Why choose it

📖

Why this book is worth reading

Readers who appreciate the psychological unease of classic horror will find this collection deeply rewarding. It offers a curated examination of identity fragmentation through eight distinct tales by major European writers. Those seeking to understand the literary tradition of the doppelganger without modern thriller distractions will gain insight into how faces in mirrors and independent shadows create tension between self and other. The book allows original texts to stand on their own merits, making it ideal for enthusiasts of eerie, atmospheric storytelling that prioritizes psychological depth over action.

⭐ Reader reviews

The starting rating comes from the team Horror Reads —

Reader rating

4.5
Based on 1 reviews
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Horror Reads editorial team

Sterling’s compilation effectively highlights the eerie nature of encountering one’s own likeness acting differently. By focusing on psychological unease rather than adventure, the volume succeeds in creating a cohesive thematic experience across various periods and styles. The inclusion of works by Hoffmann, LeFanu, and Gilman ensures a rich tapestry of duplicated existence narratives. This anthology is best suited for devotees of classic horror literature who value atmospheric dread and the unsettling implications of identity. It avoids modern plot tropes, offering instead a pure engagement with the subgenre’s foundational psychological fears.

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