Of Boardwalks and Bison
A horror collection mixing vampires, werewolves, and bison with dark humor.
This anthology by Lesli Richardson offers eight distinct tales that refuse to stay within one genre box. The author blends the terrifying with the ridiculous, ensuring that laughter often accompanies fear. A vampire attempting to relax in a retirement community provides a stark contrast to the chaos of horny flounder demons and their clumsy followers. Another narrative involves a woman manipulating a bison to distract from her husband’s actions. These stories do not follow a linear plot but instead present a series of vignettes focused on revenge, justice, and supernatural interference. The tone shifts rapidly, keeping the reader off balance. Richardson demonstrates skill in balancing horror tropes with comedic timing. The result is a collection that feels fresh despite using familiar monsters. It appeals to readers who appreciate wit alongside their scares.
Published in 2021 by Lesli Richardson, this work sits within the contemporary American horror short story tradition. It draws on classic supernatural folklore while updating it with modern humor and unexpected creature choices like bison and flounder demons.
📝 Description: Of Boardwalks and Bison
💎 Our verdict on Of Boardwalks and Bison
📖 Why choose it
Why this book is worth reading
Readers who appreciate horror that does not take itself too seriously will find this collection refreshing. It appeals to those enjoying genre-bending fiction where wit accompanies the scares. Fans of vampires, werewolves, and dark comedy will enjoy the unique mix of horrific and comedic tones. The book offers a distinct perspective on classic monsters through a contemporary lens, providing entertainment for those seeking variety. Those preferring unadulterated terror might find the humor distracting, but others will relish the seamless tone shifts and unexpected twists.
⭐ Reader reviews
Reader rating
Lesli Richardson delivers a bold anthology that defies easy categorization by mixing vampires, werewolves, and even bison into its narrative tapestry. The work excels in balancing horror tropes with comedic timing, creating vignettes focused on revenge and justice rather than linear plots. While the inclusion of horny flounder demons might seem jarring, it underscores the collection's commitment to chaotic, unpredictable storytelling. Richardson’s ability to shift tones seamlessly makes this a standout for readers seeking dark comedy alongside traditional scares. It is best suited for those who enjoy fresh takes on familiar monsters and do not mind their fear being punctuated by laughter.
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