Frankenstein
Struik publishes Shelley's original Gothic novel about a scientist and his creation.
Mary Shelley wrote this story after dreaming of a scientist horrified by his own creation. She developed the plot during a competition with Percy, Lord Byron, and John Polidori. The novel explores themes of scientific ambition and the consequences of playing god. It stands as a key work in Gothic literature, bridging Romantic poetry and modern horror. Shelley’s background as a dramatist and essayist informs the text’s depth. The book captures the intellectual atmosphere of early nineteenth-century Europe. It remains relevant for scholars examining the intersection of art and science.
Mary Shelley wrote this during a competition with Percy, Lord Byron, and John Polidori. The first edition appeared anonymously in London in 1818. Her name appeared on the second edition published in France in 1823. It reflects the Romantic period’s interest in nature and emotion.
📝 Description: Frankenstein
💎 Our verdict on Frankenstein
📖 Why choose it
Why this book is worth reading
Readers interested in Gothic fiction and the Romantic period will find this volume essential for its historical depth and original narrative structure. It appeals to those studying the origins of modern science fiction or analyzing Mary Shelley’s broader contributions as an essayist, biographer, and travel writer. The text offers a direct window into the mind of a novelist emerging from a famous gathering of writers, reflecting the collaborative spirit of her circle. Scholars examining the intersection of art and science will gain valuable insight into early nineteenth-century literary movements. This edition suits those seeking the unadulterated vision behind the dream that inspired the plot, rather than contemporary adaptations or simplified language.
⭐ Reader reviews
Reader rating
This volume delivers the original narrative structure born from a shared dream during a competition with peers like Lord Byron and John Polidori. It excels in capturing the intellectual atmosphere of early nineteenth-century Europe, making it indispensable for scholars analyzing the roots of Gothic literature. The text is particularly suited for readers interested in the Romantic period and the transition to modern horror. While challenging for those expecting contemporary adaptations or simplified language, it rewards serious students with a profound look at scientific ambition and the consequences of playing god. It remains a key work for understanding the specific historical context of its creation and Shelley’s unique position as both dramatist and novelist.
