The Corpse Factory and Other Stories: The Weird Tales of Arthur Leo Zagat, Volume 2
A collection of ten 1930s weird menace stories by Arthur Leo Zagat with an introduction by John Pelan.
This volume serves as a primary source for understanding the weird menace genre through the lens of Arthur Leo Zagat. John Pelan, who writes about the author and his time, frames the collection with historical context. The book does not offer new adaptations or critical essays on each tale. Instead, it presents the original texts alongside their publication history. Readers will find stories that appeared in Dime Mystery Magazine and Horror Stories between 1934 and 1937. The inclusion of titles like Satan's Bedchamber and The Little Walking Corpses provides a comprehensive view of Zagat's output during this specific decade. This approach allows the horror to stand on its own merits within its historical framework. It is ideal for collectors and historians of pulp fiction who value original texts over modern retellings.
The book focuses on the 1930s, a period when economic hardship influenced the creation of weird menace tales. Arthur Leo Zagat is identified as the peak figure of this genre. The stories were originally published in magazines like Dime Mystery Magazine and Horror Stories during the mid-1930s.
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Why this book is worth reading
This collection is essential for collectors and historians of pulp fiction who value the raw, unadulterated style of 1930s weird menace. Readers interested in the historical framework of horror will appreciate John Pelan’s introduction, which provides necessary context without overshadowing the original narratives. It appeals to those seeking a direct look at the genre's peak period through ten stories that showcase its goriest elements. Those who prefer scholarly analysis of modern horror or new adaptations should look elsewhere, as this volume focuses entirely on presenting the texts as they appeared in magazines like Dime Mystery Magazine and Horror Stories between 1934 and 1937. It offers a comprehensive view of Arthur Leo Zagat’s output for enthusiasts of vintage pulp literature.
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Reader rating
This book succeeds by allowing the horror to stand on its own merits within a rigorous historical framework. John Pelan’s introduction frames the work effectively, providing context for Zagat and his era without imposing modern critical essays on individual tales. The collection presents original texts alongside their publication history, offering a valuable resource for understanding the weird menace genre. It is particularly well-suited for readers interested in the history of pulp magazines and the specific stylistic conventions of the 1930s. By avoiding modern retellings or extensive commentary, the volume preserves the authentic voice of the period. It serves as an ideal primary source for academics and fans alike who wish to explore the goriest elements of that decade's fiction directly.
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