Marassa by Glyn Atkins: NOT ALL CHAINS ARE VISABLE... a story of voodoo and the undead

Name: Marassa by Glyn Atkins: NOT ALL CHAINS ARE VISABLE... a story of voodoo and the undead
Price: 10.23 USD
Availability: InStock
ISBN: 9781503097476

✍️ Glyn Atkins

Reader Score

4.4

(1 review)

$10.23

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📚 WHAT THE BOOK IS ABOUT

A novel linking a Bristol home's dark past to Jamaican voodoo traditions.

The narrative follows Cassie and Mark as they confront the legacy of their new coastal property. Atkins uses the setting of a gutted house to explore themes of bondage and survival. The story shifts geographically, connecting the Bristol Channel to Jamaica. This movement highlights the enduring impact of the slave trade on contemporary lives. Readers interested in how historical trauma manifests in modern horror will find this structure compelling. The book offers a grounded look at supernatural elements tied to real human suffering.

Key Themes

voodoo traditions transatlantic slave trade undead entities

Literary Context

The story is set against the backdrop of the transatlantic slave trade, moving between Jamaica and Bristol. It examines how historical atrocities continue to influence modern life in these specific locations.

Difficulty

●● Medium

Recommended For Fans Of

Shirley Jackson · Anne Rice · Colson Whitehead

☣️

Apocalyptic

🏛 Createspace Independent Publishing Platform 📅 2014 📖 250 pages 🌐 English 📔 Paperback ISBN: 9781503097476

📝 Description: Marassa by Glyn Atkins: NOT ALL CHAINS ARE VISABLE... a story of voodoo and the undead

Glyn Atkins writes a narrative that bridges the modern day with the historical trauma of the transatlantic slave trade. The story begins in Bristol, where Cassie and her husband Mark purchase a fire-damaged house on the Bristol Channel coastline. They soon discover that this property carries a terrifying past linked to voodoo and the undead. The plot moves between Jamaica and Bristol, tracing the sinister remains found by Cassie back through time. Atkins structures the tale to show how the past meets the present. The characters face deaths connected to those attached to the house, revealing a hidden history of chains that are not visible. This work appeals to readers interested in supernatural fiction and gothic horror rooted in specific historical contexts. It may not suit those seeking light entertainment or stories disconnected from the weight of historical slavery.

💎 Our verdict on Marassa by Glyn Atkins: NOT ALL CHAINS ARE VISABLE... a story of voodoo and the undead

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🩸

Horror Reads editorial team

Horror desk

Glyn Atkins crafts a tense narrative that effectively links a Bristol home's dark past to Jamaican voodoo traditions. By using a gutted house as a focal point, the author explores themes of bondage and survival with gravity. The shifting geography between the Bristol Channel and Jamaica highlights the enduring impact of historical trauma on present-day lives. This structure provides a compelling framework for supernatural horror grounded in real human suffering. While it may not suit those seeking light entertainment, it offers a profound examination of how the past meets the present. The work is best appreciated by readers who value atmospheric dread and the weight of historical slavery within the horror genre.

✓ EDITOR'S REVIEW

📖 Why choose it

📖

Why this book is worth reading

Readers seeking horror rooted in specific historical contexts will find this narrative compelling. It appeals to those interested in how the legacy of the slave trade endures in contemporary settings, bridging the gap between Bristol and Jamaica. The book offers a grounded look at supernatural elements tied to real human suffering, making it suitable for audiences who appreciate gothic themes and the exploration of bondage and survival. It is particularly relevant for readers who want to see how historical chains remain invisible yet impactful in modern horror fiction.

⭐ Reader reviews

The starting rating comes from the team Horror Reads —

Reader rating

4.4

Based on 1 reviews

Horror Reads editorial team

Glyn Atkins crafts a tense narrative that effectively links a Bristol home's dark past to Jamaican voodoo traditions. By using a gutted house as a focal point, the author explores themes of bondage and survival with gravity. The shifting geography between the Bristol Channel and Jamaica highlights the enduring impact of historical trauma on present-day lives. This structure provides a compelling framework for supernatural horror grounded in real human suffering. While it may not suit those seeking light entertainment, it offers a profound examination of how the past meets the present. The work is best appreciated by readers who value atmospheric dread and the weight of historical slavery within the horror genre.