🩸 Horror Fiction

Drei Gruselgeschichten

✍️ W W Jacobs
Reader Score
4.5
(1 review)
$12.90
In stock — ready to ship Ships in 1–2 business days
📚 WHAT THE BOOK IS ABOUT

A 2021 reprint of three early twentieth-century horror and supernatural short stories.

The text brings together three specific narratives from the turn of the century. Jacobs' work focuses on the physical danger of magical artifacts. Burgess shifts tone to address the bureaucratic absurdity of dealing with spirits. Butler challenges the reader's certainty about the afterlife. The compilation highlights how horror evolved alongside dark comedy in that era. It serves as a primary source for studying genre blending. Readers can observe how authors used brevity to create tension. The collection stands as a snapshot of literary tastes from 1902 through 1911.

Key Themes
cursed objects ghost removal supernatural ambiguity
Literary Context

These stories emerged in England and the United States during the early twentieth century. The period saw a rise in supernatural fiction that mixed traditional fear with emerging comedic sensibilities. This collection reflects the literary landscape of 1902, 1905, and 1911.

Difficulty
● Easy
Recommended For Fans Of
H.P. Lovecraft · Shirley Jackson · M.R. James · Algernon Blackwood
🩸
Horror Fiction
🏛 Bod - Books on Demand 📅 2021 🌐 non-English 📔 Paperback ISBN: 9783754321423

📝 Description: Drei Gruselgeschichten

This volume collects three distinct tales of dread and dark humor originally published in England and the United States between 1902 and 1911. The collection features work by W. W. Jacobs, F. G. Burgess, and E. P. Butler, offering a varied glimpse into early twentieth-century supernatural fiction. Each story approaches the genre from a different angle, blending genuine terror with moments of irony. W. W. Jacobs contributes "The Monkey's Paw," described as pure horror in its execution. This tale draws on ancient traditions of cursed objects and the fatal consequences of tempting fate. F. G. Burgess presents "The Ghost Extinguisher," which offers a unique take on ghost removal. The narrative treats supernatural entities not as terrifying specters but as pests to be managed, creating a strange blend of comedy and unease. E. P. Butler follows with "There Are No Ghosts or Is There?" This final piece questions the nature of the unseen world, leaving readers to ponder the ambiguity of what lies beyond. The book suits those who appreciate classic short fiction that mixes fear with wit. It appeals to readers interested in the evolution of horror tropes during the early 1900s. Those seeking modern gore or complex plotlines may find these older styles less engaging. The stories remain accessible and direct, relying on atmosphere rather than shock. This collection provides a concise look at how authors once balanced scares with satire.

💎 Our verdict on Drei Gruselgeschichten

“
🩸
Horror Reads editorial team
Horror desk
This compilation excels in demonstrating the versatility of early twentieth-century short fiction. Jacobs delivers pure horror through cursed objects, while Burgess introduces dark comedy by treating ghosts as manageable pests. Butler challenges reader certainty about the unseen world with ambiguous narratives. The book suits those who appreciate classic tales that mix fear with wit, offering varied perspectives on supernatural dread. However, readers seeking modern gore or complex plotlines may find these older styles less engaging. The stories remain accessible and direct, relying heavily on atmosphere to create unease. This collection serves as a vital resource for understanding the historical development of horror and ghost stories, highlighting the era's unique blend of terror and irony.
✓ EDITOR'S REVIEW

📖 Why choose it

📖

Why this book is worth reading

This volume is essential for readers interested in the evolution of horror tropes during the early 1900s, particularly those who appreciate how authors blended genuine terror with moments of irony. It appeals to scholars and enthusiasts studying genre blending, offering a snapshot of literary tastes from the turn of the century. The collection highlights how writers addressed physical danger through magical artifacts and the bureaucratic absurdity of dealing with spirits. By observing these early narratives, readers can understand the shift toward psychological uncertainty and dark humor. Those seeking accessible, direct stories that rely on atmosphere rather than shock will find value here. It provides a concise look at how brevity was used to maximize tension in classic supernatural fiction.

⭐ Reader reviews

The starting rating comes from the team Horror Reads —

Reader rating

4.5
Based on 1 reviews
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Horror Reads editorial team

This compilation excels in demonstrating the versatility of early twentieth-century short fiction. Jacobs delivers pure horror through cursed objects, while Burgess introduces dark comedy by treating ghosts as manageable pests. Butler challenges reader certainty about the unseen world with ambiguous narratives. The book suits those who appreciate classic tales that mix fear with wit, offering varied perspectives on supernatural dread. However, readers seeking modern gore or complex plotlines may find these older styles less engaging. The stories remain accessible and direct, relying heavily on atmosphere to create unease. This collection serves as a vital resource for understanding the historical development of horror and ghost stories, highlighting the era's unique blend of terror and irony.

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