Die Burg von Otranto: Ein Schauerroman
A 2016 reprint of Walpole's 1765 gothic novel based on the 1810 Berlin text.
This edition focuses on textual fidelity to the 1810 Berlin publication rather than modern interpretations. Karl-Maria Guth provides an author biography that contextualizes Horace Walpole’s life and work. The layout preserves the original pagination as marginalia, a feature valuable for academic study or historical comparison. The cover art draws from a nineteenth-century painting by Eduard Gerhardt, linking the book to broader artistic traditions of the era. This approach prioritizes historical integrity over contemporary marketing trends.
Published in London in 1765, this work marks an early point in horror literature history. The 2016 Henricus edition connects this eighteenth-century text to modern German classical publishing traditions in Berlin.
📝 Description: Die Burg von Otranto: Ein Schauerroman
💎 Our verdict on Die Burg von Otranto: Ein Schauerroman
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Why this book is worth reading
This volume suits readers interested in the origins of the gothic novel and those who appreciate historical text preservation. It offers a direct look at an eighteenth-century work that established key conventions for later horror literature, prioritizing historical integrity over contemporary marketing trends. The inclusion of Karl-Maria Guth’s author biography provides essential context for Horace Walpole’s life and contributions. Scholars and enthusiasts will value the reproduction of marginal page numbers from the 1810 edition, which allows for cross-referencing with the original layout. This edition does not appeal to those seeking modern thriller pacing or contemporary supernatural tropes, but rather invites immersion in a period-specific aesthetic that links the text to broader artistic traditions through its nineteenth-century cover art.
⭐ Reader reviews
Reader rating
This edition distinguishes itself by focusing on textual fidelity to the 1810 Berlin publication rather than modern interpretations. The careful physical presentation, including line-by-line reproduction of marginal page numbers, serves scholars and enthusiasts seeking historical accuracy. While it may not satisfy readers looking for contemporary supernatural tropes or fast-paced narratives, it excels in preserving the original aesthetic through Minion Pro typography and Eduard Gerhardt’s cover art. It is best suited for those who value academic study, historical comparison, and the roots of gothic fiction over modern stylistic trends.
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✍️ More books by this author Horace Walpole
🏛 Books from this publisher Henricus - Edition Deutsche Klassik Gmbh, Berlin
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