Crime and Horror in Victorian Literature and Culture, Volume II
A scholarly anthology mapping Victorian anxieties through monstrosity, hauntings, alien worlds, and death.
Kaiser’s volume offers a structured look at the fears that permeated Victorian society. By grouping texts around four rubrics, the book reveals how writers addressed issues like criminality and sexual transgression. The inclusion of government reports and polemic alongside fiction highlights the era's intense scrutiny of social norms. This approach connects literary horror to real-world concerns such as racism and atypical bodies. The annotations provide necessary context for understanding the period’s complex relationship with death and the unknown.
This volume examines nineteenth-century British literature and popular culture between 1829 and 1904. It addresses the socioeconomic and psychological anxieties of an era marked by unprecedented prosperity alongside widespread poverty, focusing on how society reacted to unstable boundaries.
📝 Description: Crime and Horror in Victorian Literature and Culture, Volume II
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Scholars and enthusiasts of Gothic history will find immense value in this structured examination of nineteenth-century British fears. Kaiser’s anthology is essential for those seeking to understand the socio-political underpinnings of horror tropes, connecting literary monstrosity to actual Victorian anxieties about criminality and social boundaries. By including government reports alongside fiction, it offers a comprehensive view of how society policed unstable norms. Readers interested in the intersection of criminology, colonialism, and mental illness will appreciate the deep context provided by annotations. It serves as a vital resource for decoding the complex relationship between death, the unknown, and middle-class subjectivity during an age of significant cultural shift.
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Kaiser delivers a rigorous academic exploration of Victorian anxieties, effectively grouping texts around monstrosity, hauntings, alien worlds, and death. The inclusion of diverse primary sources, from Vernon Lee to Émile Durkheim, highlights the era’s intense scrutiny of social norms. This approach successfully connects literary horror to real-world concerns such as racism and atypical bodies. The annotations provide necessary context for understanding the period’s complex relationship with death. While challenging, it is indispensable for those studying the historical context of horror tropes. It suits readers interested in the socio-political underpinnings of Gothic literature, offering a nuanced look at how writers addressed issues like criminality and sexual transgression through the lens of cultural fear.
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✍️ More books by this author Matthew Kaiser
🏛 Books from this publisher Cognella Academic Publishing
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