🩸 Horror Fiction

Crime and Horror in Victorian Literature and Culture, Volume II

✍️ Matthew Kaiser
Reader Score
4.6
(1 review)
$121.95
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📚 WHAT THE BOOK IS ABOUT

A scholarly anthology mapping Victorian anxieties through monstrosity, hauntings, alien worlds, and death.

Kaiser’s volume offers a structured look at the fears that permeated Victorian society. By grouping texts around four rubrics, the book reveals how writers addressed issues like criminality and sexual transgression. The inclusion of government reports and polemic alongside fiction highlights the era's intense scrutiny of social norms. This approach connects literary horror to real-world concerns such as racism and atypical bodies. The annotations provide necessary context for understanding the period’s complex relationship with death and the unknown.

Key Themes
monstrosity hauntings alien worlds
Literary Context

This volume examines nineteenth-century British literature and popular culture between 1829 and 1904. It addresses the socioeconomic and psychological anxieties of an era marked by unprecedented prosperity alongside widespread poverty, focusing on how society reacted to unstable boundaries.

Difficulty
●●● Challenging
Recommended For Fans Of
S.T. Coleridge · H.G. Wells · Rudyard Kipling · Vernon Lee
🩸
Horror Fiction
🏛 Cognella Academic Publishing 📅 2017 📖 514 pages 🌐 English 📔 Paperback ISBN: 9781516521159

📝 Description: Crime and Horror in Victorian Literature and Culture, Volume II

Matthew Kaiser, an associate professor at the University of California, Merced, presents a scholarly examination of Victorian anxieties in this second volume of his two-part anthology. The text maps the psychological and cultural fears that defined nineteenth-century Britain, focusing on how society policed unstable boundaries during an era of extreme wealth disparity. Kaiser organizes the material into four distinct sections: monstrosity, hauntings, alien worlds, and death. This structure allows for a deep exploration of the specific phenomena that rattled middle-class subjectivity at the time. The collection draws from a wide array of primary sources spanning 1829 to 1904. Readers will encounter short fiction, poetry, plays, government reports, journalism, and social criticism. Notable inclusions are Vernon Lee’s writings, H. G. Wells’ contributions, and a new translation of Émile Durkheim’s Suicide: A Study in Sociology. The volume also features Margaret Oliphant’s novella A Beleaguered City alongside works by Christina Rossetti, Elizabeth Gaskell, Robert Louis Stevenson, and Rudyard Kipling. Topics range from criminology and colonialism to sexual exploitation, prison conditions, capital punishment, mental illness, and homelessness. This academic work suits readers interested in the historical context of horror tropes and the socio-political underpinnings of Gothic literature. It provides concrete examples of how Victorian writers processed their societal fears through various genres. Scholars of British literature, students of criminology, and fans of classic Gothic fiction will find value in its extensive annotations and diverse source material. It is less suitable for those seeking modern horror novels or casual reading without historical context.

💎 Our verdict on Crime and Horror in Victorian Literature and Culture, Volume II

“
🩸
Horror Reads editorial team
Horror desk
Kaiser delivers a rigorous academic exploration of Victorian anxieties, effectively grouping texts around monstrosity, hauntings, alien worlds, and death. The inclusion of diverse primary sources, from Vernon Lee to Émile Durkheim, highlights the era’s intense scrutiny of social norms. This approach successfully connects literary horror to real-world concerns such as racism and atypical bodies. The annotations provide necessary context for understanding the period’s complex relationship with death. While challenging, it is indispensable for those studying the historical context of horror tropes. It suits readers interested in the socio-political underpinnings of Gothic literature, offering a nuanced look at how writers addressed issues like criminality and sexual transgression through the lens of cultural fear.
✓ EDITOR'S REVIEW

📖 Why choose it

📖

Why this book is worth reading

Scholars and enthusiasts of Gothic history will find immense value in this structured examination of nineteenth-century British fears. Kaiser’s anthology is essential for those seeking to understand the socio-political underpinnings of horror tropes, connecting literary monstrosity to actual Victorian anxieties about criminality and social boundaries. By including government reports alongside fiction, it offers a comprehensive view of how society policed unstable norms. Readers interested in the intersection of criminology, colonialism, and mental illness will appreciate the deep context provided by annotations. It serves as a vital resource for decoding the complex relationship between death, the unknown, and middle-class subjectivity during an age of significant cultural shift.

⭐ Reader reviews

The starting rating comes from the team Horror Reads —

Reader rating

4.6
Based on 1 reviews
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Horror Reads editorial team

Kaiser delivers a rigorous academic exploration of Victorian anxieties, effectively grouping texts around monstrosity, hauntings, alien worlds, and death. The inclusion of diverse primary sources, from Vernon Lee to Émile Durkheim, highlights the era’s intense scrutiny of social norms. This approach successfully connects literary horror to real-world concerns such as racism and atypical bodies. The annotations provide necessary context for understanding the period’s complex relationship with death. While challenging, it is indispensable for those studying the historical context of horror tropes. It suits readers interested in the socio-political underpinnings of Gothic literature, offering a nuanced look at how writers addressed issues like criminality and sexual transgression through the lens of cultural fear.

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