Artefactum

J E Tobal presents a narrative centered on Sam, a New York City bartender who discovers his girlfriend Una possesses an Aboriginal idol capable of transporting them to alternate realities. After Una dies suddenly, Sam’s grip on sanity frays as he convinces himself she survives in another dimension. He seeks her with the reluctant aid of Sal, a sardonic loner, and Hazel, his best friend. Their journey takes them through universes defined by Fear, Death, Dream, and the Primordial Void. The story begins with Sam destroying a universe at age seven without intent, a precursor to his later ability to travel through time, which complicates the plot further. Tobal explores the unfortunate side of fate, suggesting that for every hero destined to slay a dragon, another is doomed to become it. This work suits readers interested in supernatural fiction and multiverse theories who appreciate a blend of tragedy and dark humor. It may not appeal to those seeking straightforward horror without metaphysical elements or those uncomfortable with themes of grief and identity loss. The book operates within the tradition of gothic and supernatural fiction, utilizing the concept of the Aboriginal idol as a catalyst for interdimensional travel. Tobal structures the narrative around Sam’s unraveling understanding of reality as he navigates these distinct universes. The author qualifies himself through this exploration of fate and consequence, drawing on the premise that actions have multiversal repercussions. The story does not offer easy answers but rather presents a wobbling tightrope act of sanity for its protagonist.