Such Things May Be: Collected Writings
A collection of James Wade's genre stories, poetry, and essays from the 1960s onward.
This compilation bridges the gap between creative fiction and critical non-fiction by James Wade. It includes works that have been anthologized by August Derleth, Ramsey Campbell, Stuart David Schiff, and Herbert Val Thal. The text covers his genre short stories and poetry alongside non-genre pieces. This mix provides a complete picture of his literary voice during the period starting in the 1960s. The book is organized to showcase his range rather than follow a strict timeline. It appeals to those studying the history of horror fiction. Readers expecting a novel will find this collection less suitable for their needs.
James Wade wrote during the mid-twentieth century, with works collected from the 1960s onward. His influence is seen in anthologies by editors like August Derleth and Ramsey Campbell. This 2018 Shadow Publishing edition preserves his legacy for modern readers interested in classic horror traditions.
📝 Description: Such Things May Be: Collected Writings
💎 Our verdict on Such Things May Be: Collected Writings
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Why this book is worth reading
Scholars, collectors, and devoted fans of classic horror will find this compilation essential for understanding the full scope of James Wade’s literary voice. By gathering genre fiction, poetry, and critical non-fiction, the book offers a rare glimpse into the author's creative process and his own perspective on the craft. It is particularly valuable for those studying the history of supernatural literature who wish to see how Wade’s thematic concerns evolved across different forms. Readers seeking a comprehensive survey of his work will appreciate the thematic organization that highlights his versatility, moving beyond simple chronology to reveal the connections between his poetic sensibilities and prose narratives.
⭐ Reader reviews
Reader rating
Such Things May Be succeeds as a vital resource for tracing the development of horror fiction from the 1960s onward. It effectively showcases James Wade’s range, blending eerie short stories with reflective essays that clarify his artistic intentions. The thematic structure allows readers to draw meaningful comparisons between his poetic imagery and narrative techniques, offering a cohesive view of his career despite the varied formats. While it may disappoint those seeking a continuous novel or contemporary thriller pacing, it is an ideal choice for students of the genre and enthusiasts of gothic fiction. The inclusion of non-fiction provides unique insight into the critical landscape of his time, making this a significant contribution to the study of supernatural literature.
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