Naked Revenants and Other Fables of Old and New England
Jonathan Thomas collects unsettling tales rooted in New England's history and landscape.
Thomas builds upon his previous success with Midnight Call and Other Stories to present this fifth short story collection. He focuses on the specific geography of Providence, Rhode Island, and the broader New England region. The stories blend historical elements with contemporary settings to reveal hidden horrors. This approach allows him to explore how local culture shapes supernatural experiences. The narratives do not rely on generic scares but instead dig into the specific terrors of this American landscape. Readers familiar with his earlier work will recognize his consistent attention to regional detail and atmospheric dread.
Published by Hippocampus Press in 2017, this collection continues the legacy of weird fiction established by Thomas's 2008 work. It sits within the tradition of American regional horror, focusing specifically on the cultural and historical landscape of New England.
📝 Description: Naked Revenants and Other Fables of Old and New England
💎 Our verdict on Naked Revenants and Other Fables of Old and New England
📖 Why choose it
Why this book is worth reading
Readers who appreciate the subtle intrusion of the uncanny into everyday life will find this collection rewarding. It appeals to those interested in how local culture and specific geography shape supernatural experiences. By grounding fantastic elements in the reality of Rhode Island and New England, Thomas offers a distinct perspective on familiar fears. This book is ideal for fans of regional weird fiction who value atmospheric dread over generic scares. It provides a study in place-influenced horror, making it a valuable addition for those seeking psychological depth rather than fast-paced action or traditional ghost stories.
⭐ Reader reviews
Reader rating
Thomas excels at blending historical elements with contemporary settings to reveal hidden horrors within New England. His consistent attention to regional detail creates a compelling sense of atmosphere and dread. The collection avoids generic scares, instead digging into the specific terrors of the American landscape through careful observation of local lore. It suits readers who enjoy weird fiction that explores the intersection of place and fear. While it may not appeal to those seeking action or simple ghost stories, its focus on psychological depth and subtle supernatural intrusion makes it a strong entry in the author's bibliography.
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