Gocce

Gianni Licata presents a first-person narrative centered on Abrina, a character defined by her toxic nature and violent history. The text operates as a direct confession, contrasting the subject’s internal reality with external media portrayals that the narrator dismisses as sterile news articles designed to frighten an audience. This approach establishes a clear divide between public perception and private truth. The story draws on gothic traditions of the monstrous feminine and psychological horror, focusing on themes of contamination and moral decay. Abrina describes herself as a poisonous figure who has infected the lives of those around her, moving through a world populated by bullies and ghosts. The narrative structure relies entirely on her singular perspective, rejecting any objective account of events in favor of what she claims is the only valid version of her existence. This work suits readers interested in dark character studies and unreliable narrators who enjoy exploring the psychology of violence and self-destruction. It may not appeal to those seeking traditional plot-driven mysteries or hopeful resolutions. The text does not offer redemption arcs but rather a stark examination of identity formed through hatred and disdain. Abrina’s voice remains consistent throughout, maintaining a tone of bitter resignation and unapologetic admission of her role as both victim and perpetrator in her own life story.