Global TV Horror
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A scholarly examination of global television horror series across multiple countries.
The text investigates the international reach of horror on television by analyzing series from ten distinct nations. It considers how cultural contexts shape the genre, moving past the dominance of US productions to include works from Iran, Japan, and Brazil. The collection aims to make the familiar strange again by highlighting unique regional adaptations and broadcast histories. It serves as a resource for understanding the global mechanics of fear in media.
Published in 2021 by University of Wales Press, this work addresses the global success of horror drama. It responds to the widespread popularity of shows like The Walking Dead and Stranger Things by expanding the discussion to include non-Western perspectives and diverse broadcast traditions.
📝 Description: Global TV Horror
💎 Our verdict on Global TV Horror
📖 Why choose it
Why this book is worth reading
This volume is essential for academic readers and serious fans who wish to understand the structural and cultural underpinnings of global horror television. It appeals to those interested in how horror travels across borders and adapts to local sensibilities, offering a rigorous look at regional adaptations rather than casual plot summaries. Readers seeking to see familiar tropes in a new light through specific cultural contexts will find value here. It is ideal for those wanting to explore the mechanics of fear in media beyond the dominance of US productions, providing fresh perspectives on historical and contemporary series from diverse nations.
⭐ Reader reviews
Reader rating
Lorna Jowett’s Global TV Horror excels in excavating new cultural histories by analyzing series from ten distinct nations, moving decisively beyond American examples. The book successfully renders the familiar strange again, forcing a reevaluation of what constitutes television horror through rigorous analysis of societal frameworks and streaming platforms. It is best suited for academic readers and dedicated enthusiasts who appreciate structural critiques over entertainment guides. By bringing together established scholars and new voices, the collection offers fresh perspectives on how horror manifests across diverse broadcast environments, making it a vital resource for understanding the global mechanics of fear in media.
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