Dead Air: Early Broadcasts
A collection of early horror stories and poems by Tom Breen featuring Benjamin Stockton.
This volume acts as a bridge between two significant publications in Tom Breen’s bibliography. It recovers content from the out-of-print Dead Air, offering access to material that is now difficult to find. The text includes fragments destined for Gateways to Abomination and Creeping Waves, providing context for those later expansions. Benjamin Stockton appears here as a nascent figure in the horror genre, establishing his connection to the demonic radio station WXXT. The inclusion of Yves Tourigny’s artwork adds visual depth to the written word. Readers interested in the evolution of Breen’s mythos will find value in seeing these early drafts and poems. The work documents the initial development of themes involving dark voices and visceral horror elements.
This 2016 publication by Tom Breen sits within the tradition of supernatural fiction, specifically focusing on the early days of a character associated with a demonic radio station. It serves as a precursor to his later works Gateways to Abomination and Creeping Waves.
📝 Description: Dead Air: Early Broadcasts
💎 Our verdict on Dead Air: Early Broadcasts
📖 Why choose it
Why this book is worth reading
This volume serves as an essential bridge for dedicated fans of Tom Breen’s expanding mythos, offering rare access to formative material that predates his more widely known publications. Readers interested in the genesis of Benjamin Stockton and the demonic radio station WXXT will find profound value in these early drafts and poems. It is particularly suited for those who appreciate the visceral evolution of horror themes, including guts, worms, and wriggling entities, alongside the atmospheric dread of dark voices. The inclusion of Yves Tourigny’s artwork further enhances the experience for collectors seeking visual depth alongside textual scarcity. By recovering content from out-of-print editions, this book provides a unique glimpse into the author's creative process before his universe was fully expanded.
⭐ Reader reviews
Reader rating
Tom Breen’s collection effectively documents the nascent stages of his horror style, focusing on Benjamin Stockton and the eerie atmosphere of WXXT. The text succeeds in establishing a visceral connection between early drafts and later expansions like Gateways to Abomination. While it may not suit readers seeking straightforward narratives without supernatural grotesquerie, it excels for those who enjoy dark fantasy and gothic fiction. The integration of Yves Tourigny’s artwork adds necessary visual weight to the unsettling prose. It is best appreciated by scholars of Breen’s work or enthusiasts of cosmic horror who value the raw, unpolished origins of iconic characters and settings.
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