The Ghost Story: A One-Act Play for Persons of No Great Age (1922)
A 2007 facsimile reprint of Booth Tarkington's 1922 one-act supernatural play.
Kessinger Publishing issued this volume on October 2, 2007. It reproduces the text of The Ghost Story without alteration to its original condition. The book preserves the visual history of the 1922 edition. Readers encounter the same physical artifacts that have accumulated over a century. This approach respects the cultural importance of the work while making it accessible. The format is standard for those who value historical accuracy in printed materials.
This book represents a 1922 theatrical piece by American author Booth Tarkington. Kessinger Publishing released this facsimile in 2007 to preserve early twentieth-century literature. The edition highlights the physical characteristics of antiquarian texts for modern readers.
📝 Description: The Ghost Story: A One-Act Play for Persons of No Great Age (1922)
💎 Our verdict on The Ghost Story: A One-Act Play for Persons of No Great Age (1922)
📖 Why choose it
Why this book is worth reading
This volume serves collectors of rare theatrical scripts and scholars investigating Tarkington’s lesser-known contributions to American literature. It appeals to enthusiasts of early twentieth-century publishing practices who value historical accuracy over pristine condition. Readers interested in the evolution of American ghost stories will find this facsimile reprint essential for understanding the physical artifacts of the era. The intentional retention of marginalia and age-related marks provides a tangible connection to the past, offering an authentic experience that restoration would diminish. It is ideal for those who view books as historical documents rather than mere texts.
⭐ Reader reviews
Reader rating
This facsimile reprint prioritizes the preservation of cultural history over aesthetic perfection, presenting Tarkington’s one-act play exactly as it appeared in 1922. The edition captures the visual history of the original, including imperfections that speak to its age. It succeeds in making a niche theatrical work accessible while respecting its antiquarian status. However, the visible flaws may deter readers seeking a clean, modern reading experience. This volume is best suited for academic researchers and horror historians who require primary source material in its unaltered form. It offers a unique glimpse into early supernatural drama without compromising the integrity of the original artifact.
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