🌙 Paranormal

The Coming of the Fairies (annotated)

✍️ Sir Arthur Conan Doyle
Reader Score
4.2
(1 review)
$5.75
In stock — ready to ship Ships in 1–2 business days
📚 WHAT THE BOOK IS ABOUT

A spiritualist analysis of the Cottingley fairy photographs by Sir Arthur Conan Doyle.

This text functions as a defense of the Cottingley fairies through the eyes of a renowned writer. Doyle uses the 1917 photos taken by two young cousins to support his belief in psychic phenomena. The narrative follows the timeline from the initial capture of the images to their publication in The Strand Magazine. It includes specific observations and subsequent cases to bolster the argument for the existence of fairies.

Key Themes
Cottingley Fairies psychic phenomena spiritualist evidence
Literary Context

The book emerged from the early twentieth-century spiritualism movement, specifically addressing the 1917 Cottingley photographs and their 1920 publication in The Strand Magazine. It reflects the era's fascination with the supernatural and the intersection of photography and belief.

🌙
Paranormal
🏛 Createspace Independent Publishing Platform 📅 2015 📖 96 pages 🌐 English 📔 Paperback ISBN: 9781517053512

📝 Description: The Coming of the Fairies (annotated)

Sir Arthur Conan Doyle presents The Coming of the Fairies as a serious examination of psychic phenomena through the lens of the Cottingley photographs. These images were captured by Elsie Wright and Frances Griffiths in 1917 near Bradford, England. Doyle utilized these pictures to illustrate an article for the Christmas 1920 edition of The Strand Magazine before expanding his analysis into this full text. He approaches the subject as a spiritualist, interpreting the visual evidence as proof of fairies rather than dismissing it as mere childhood imagination. The book is organized into distinct sections that trace the history and reception of these events. It begins with How the matter arose and moves to The first published account in the Strand Christmas number 1920. Doyle then details the Reception of the first photographs and describes the second series of images. He includes Observations of a clairvoyant in the Cottingley Glen from August 1921 to provide independent evidence for fairies. The text also covers Some subsequent cases and concludes with The theosophic view of fairies, offering a broader cultural context for these claims. This volume suits readers interested in early twentieth-century spiritualism and the specific history of the Cottingley Glen incident. It provides a primary source perspective from a famous author who believed in the supernatural. Those seeking modern scientific debunking or pure fiction will find this text less relevant to their interests. The work remains a unique document of its time, blending photographic evidence with Doyle’s personal convictions on psychic phenomena.

💎 Our verdict on The Coming of the Fairies (annotated)

“
🩸
Horror Reads editorial team
Horror desk
This book is not conventional horror fiction but a spiritualist treatise. It will likely disappoint readers seeking atmospheric dread or narrative terror, as it lacks plot, character development, and traditional storytelling elements. The content is dry and argumentative, focused entirely on validating the Cottingley photographs. However, for those fascinated by the history of paranormal investigation or Doyle’s later life works, it serves as an intriguing primary source. It does not suit readers looking for entertainment or visceral scares. Instead, it functions as a historical document within the horror shelf's broader context, illustrating how belief in the supernatural was publicly defended. The lack of substantial plot makes it a niche purchase, valuable only for its specific historical and cultural significance rather than literary merit.
✓ EDITOR'S REVIEW

⭐ Reader reviews

The starting rating comes from the team Horror Reads —

Reader rating

4.2
Based on 1 reviews
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Horror Reads editorial team

This book is not conventional horror fiction but a spiritualist treatise. It will likely disappoint readers seeking atmospheric dread or narrative terror, as it lacks plot, character development, and traditional storytelling elements. The content is dry and argumentative, focused entirely on validating the Cottingley photographs. However, for those fascinated by the history of paranormal investigation or Doyle’s later life works, it serves as an intriguing primary source. It does not suit readers looking for entertainment or visceral scares. Instead, it functions as a historical document within the horror shelf's broader context, illustrating how belief in the supernatural was publicly defended. The lack of substantial plot makes it a niche purchase, valuable only for its specific historical and cultural significance rather than literary merit.

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