Somebody Tell Aunt Tillie We're Kidnapping Cupid

Christiana Miller’s novel presents a chaotic Valentine’s Day scenario where the god Eros attempts to manipulate the romantic lives of Mara and Gus. The narrative begins with Cupid targeting these two individuals for his own purposes, leading to a confrontation that leaves the deity trapped in their living room cage. This development forces Gus to confront the consequences of defying a divine being while Mara returns home to find the situation already escalated. The plot thickens as Aphrodite arrives to retrieve her son, creating tension between mortal resistance and divine authority. The story draws on classical mythology, specifically focusing on Eros, Cupid, and Aphrodite, blending these ancient figures with modern domestic settings. Miller structures the narrative around this clash of worlds, using the impending holiday as a catalyst for supernatural conflict. The work appeals to readers who enjoy urban fantasy with a comedic edge and those interested in reimagined Greek myths. It may not suit audiences seeking serious literary horror or traditional gothic atmospheres. The text relies on character interactions rather than extensive world-building. Miller, the author, uses humor to explore themes of love, lust, and agency. The story remains grounded in the immediate crisis of the trapped god and the family dynamics involved. Readers looking for a light-hearted take on mythological figures will find this work engaging. Those preferring dark, atmospheric horror might find the tone too whimsical.