Nightmare Magazine, October 2015 (Queers Destroy Horror! special issue)
A special issue of Nightmare Magazine featuring queer creators in horror fiction and nonfiction.
The collection gathers original stories, reprints, and essays under one cover. Wendy N. Wagner handles the fiction curation, bringing together established names like Chuck Palahniuk alongside newer voices such as Alyssa Wong. Megan Arkenberg oversees the nonfiction component. Lucy A. Snyder writes one of these articles. The structure separates creative writing from critical or personal essays. Poetry by Robyn A. Lupo adds another layer to the volume. AJ Jones provides the visual artwork for the cover. This arrangement allows readers to experience horror through multiple lenses simultaneously.
This book emerged in September 2015 as a stretch goal from the Queers Destroy Science Fiction Kickstarter for Lightspeed Magazine. It represents a specific moment where queer creators claimed space in the horror genre through an independent publishing platform.
📝 Description: Nightmare Magazine, October 2015 (Queers Destroy Horror! special issue)
💎 Our verdict on Nightmare Magazine, October 2015 (Queers Destroy Horror! special issue)
📖 Why choose it
Why this book is worth reading
Readers seeking diverse perspectives within the horror genre will find this volume particularly rewarding, as it centers queer creators in both fiction and nonfiction. The collection offers a unique lens through which established names like Chuck Palahniuk interact with newer voices such as Alyssa Wong, providing a rich tapestry of terror. Those interested in critical discourse alongside creative writing will appreciate the inclusion of essays by Lucy A. Snyder and Megan Arkenberg. The poetry by Robyn A. Lupo adds further depth, making it ideal for enthusiasts who value structural variety and thematic diversity over traditional mainstream horror narratives.
⭐ Reader reviews
Reader rating
The October 2015 issue of Nightmare Magazine stands as a distinct editorial achievement by successfully merging original fiction with critical nonfiction under one cohesive theme. Wendy N. Wagner’s curation bridges the gap between renowned authors like Palahniuk and emerging talents, ensuring a balanced yet provocative reading experience. The inclusion of AJ Jones’s artwork complements the queer-focused content effectively. While traditionalists may find the specific focus limiting, the volume excels in its mission to highlight queer voices. It serves best for readers eager to explore horror through multiple critical and creative lenses, offering a sophisticated blend of terror, theory, and visual art that defines its unique identity.
